Ninety For Chill: The Podcast with CatBusRuss

Samara Weaving week continues.

Michael Dubois makes his return to the podcast to further express his admiration for Samara Weaving with a discussion about 2019's action satire, "Ready or Not". CatBusRuss goes into this thinking the film was a step down from the quality of "Bill and Ted Face the Music", but only a baby step. Is Samara the next Uma Thurman? We will find that out.

Michael Dubois comes back to the podcast to discuss the most excellent trilogy when it comes to doing fan service right, "Bill & Ted". If only Disney had thought about giving "The Rise of Skywalker" to Keanu Reeves and Alex Winters, the galaxy would be what Rufus and Kenobi would consider tranquil. What is there not to like about these films? There is casual homophobia in the first two, but it is fleeting and these films course correct perfectly as they go along. But because of the language used, CatBusRuss deemed that this episode's conversation should be left uncensored.

HappyBeebsMeowMeow (or just Beebs) returns to the podcast to discuss another one of her favorite movies, "The Princess Bride". A movie with Christopher Guest and Andre the Giant, how could CatBusRuss⁠ resist?

Ninety For Chill's guest said this was a feature that she knew so well, that she did not require a rewatch. To make sure everyone was in the right headspace, CatBusRuss had the feature running as the two discussed this classic comedy. After the two gush over the brilliance of Rob Reiner's second classic (Russ has not seen "Stand By Me" or "The Sure Thing", but both fit the runtime parameters of the podcast.) they essentially enjoy a virtual viewing of the film. Please do not judge our host too harshly for his attempts to do the dialogue justice.

Russ and Beebs do their best to really understand the genius of this family classic. As Joel Siegel stated, "This is Walt Disney meets Monty Python". That is short changing the efforts of the son of Mel Brooks's original comedy partner, Carl Reiner. "The Princess Bride" is Mel Brooks's humor meets William Goldman's understanding of what makes a perfect screenplay. If Rob Reiner had more features under his belt when he directed this, he may have had the skill to make the best film of all time. The more Russ has seen it, the better it gets. Does Beebs agree?

If there is a master of spotting subtle horror on Shudder, it is Gregory Carl. This week he suggested a film that has a horror-worthy premise with "The Little Girl Who Lives Down the Lane" featuring a 14 year-old Jodie Foster. It is a feature that turns the seemingly defenseless adolescent premise on its head while maintaining all that 1970s creepiness in all its glory.

Perhaps the episode should have been titled, "Are @CatBusRuss & @CouchManBakes the Reitmen to Go Ghostbusting" but the pun does not feel right. Would the billing order have been right?

With "Ghostbusters: Frozen Empire" being released this week, our host decided to get audiences prepared with all of Ninety For Chill's conversations about "Ghostbuster" movies where the lineup is not totally female. (That is available on the previous episode "Super Mario Bros. 93 with Ta2Squid".)

We will first have the CatBus provide his positivity about "Ghostbusters: Afterlife". Then we will return to where the Champaign/Urbana podcast partnership began between Andrew Tiede and Russ Stevens. It is their conversation about Ivan Reitman and Harold Ramis's cinematic influence that led to the 1984 classic "Ghostbusters".

This was before the "12 Parsecs" rule was instated, so the two proton pack enthusiasts officially record a conversation about the Bill Murray supported comedy classics "Meatballs" and "Caddyshack".

If it is a movie adapted from a video game, you may lure out the Ta2Squid. CatBusRuss welcomes a returning Andras Bodolai to Ninety For Chill: The Podcast for a chat about what is essentially the first attempt at bringing characters from a home gaming console to the big screen, "Super Mario Bros. (1993)".

Our host's first conversation with his fellow podcaster was about 2005's "Doom". Like the John Leguizamo and Bob Hoskins led movie, most do not remember that feature fondly (if at all as displayed by Kollin from the Trash Panda Podcast). But, there has not been a reclamation effort for the Dwayne Johnson film. Maybe more time needs to pass. Give it 30 years (and a billion-dollar animated feature), and Karl Urban's Doom Slayer might get his proper due.

Russ thinks a narrative might still hold the Martian-based movie back. It would not have even needed a sane one because what Dennis Hopper movies do?

CatBus and his guest discuss how this may have been a bad adaptation of the source material, but a fun mind shag of movie that walked so "Mortal Kombat" could kick ass. This Screen Drafts Marquee of Fame entrant maybe a flawed masterpiece. The direction is lacking, but this is a movie that has a crazy enough story and charming enough characters that it may have been a decade too late for when the audience would have ate this flick up. And/or, it was a decade too early which prevented meta-obsessed fanatics from appreciating it.

It definitely needs more attention since this is only the first round of the Leguizamo v. Hopper battle. Hit CatBusRuss on social media if you would like to discuss George A. Romero's "Land of the Dead".

If you find this episode interesting (despite the technical issues...and a "Ghostbusters (2016)" review), we hope you still have a DVD player because that is the only legal way to watch this underappreciated film.

Inspired by George Miller's means to make Mel Gibson feel something in "Mad Max 2: The Road Warrior", CatBusRuss addresses how you rarely go wrong by killing a dog on the big screen.

Hoping to be ready for "Resident Evil: Welcome to Racoon City", CatBusRuss revisits Russell Mulcahy's "Resident Evil: Extinction". This Australian-helmed feature allows him to pick the brain of ThePoeticCritic who offers some insight into Australian Exploitation cinema.

ThePoeticCritic has always had a lot to say about the state of cinema at the moment, and she seems to appreciate the platform. The two siblings have a boundless conversation to address their favorite actors, the upcoming (2023) and previous Oscars, and hopes of fewer comic book movies.

As for movie reviews, CatBusRuss was able to watch Costas Mandylor of "Saw" fame star in a 2022 knock off of the franchise he is best known for with "Death Count". With that said, we never saw Det. Hoffmanr die. So could this be considered a spinoff?

It is never too late to start the New Year. Some people hope to just get out of their comfort zone. That is the goal of Brandy Stonum, or should we call her HappyBeebsMeowMeow.

With a Twitch handle like that, watching a movie where a feline plays a big role seemed perfect. So CatBusRuss was able to bend the rules of the podcast a bit, Han Solo style, and allowed Henry Selick's Neil Gaiman adaptation, "Coraline", be the focus of the show.

CatBusRuss has been trying to get one of his best Champaign/Urbana pals onto the podcast since about the inception of the show. The two chat about and have watched movies in each other's company over the past couple of years, so he thought content would come naturally. Our host thought the biggest issue was just finding a movie to fit the parameters of the pod, but people can just be nervous about putting themselves out there.

This was probably true of Russ until he had to cut his first wrestling promo. There were just too many quiet goth wrestlers in Peoria. Creating a character was the only in he had.

Brandy is a few weeks from bringing her Twitch channel online, so like our film's protagonist, she has to make the online world in her image and not have it handed to her. Hopefully, we can get her back on the podcast once her channel goes live, but until then, lets revel in her cinematic intelligence and patience when it comes to dealing with the CatBus.

ThePoeticCritic and CatBusRuss take you on a journey ranging from the Criterion Channel's Saturday Matinees for the smart kids to the directors with obsessions of dreamlike environments. The Spanish animated gem "Nocturna" and Wes Craven's "A Nightmare on Elm St" serve as bookends to this narrative that does quite a bit of juxtaposition of features like "The Never Ending Story" and "Fear and Loathing in Las Vegas". NinetyForChill tries to capture the motivation behind Terry Gilliam's filmography in about 90 minutes.

Jeff Goldblum maybe NinetyForChill's "In case of fire, break glass" metaphor. It is an easy means to bring ThePoeticCritic back on the show to discuss a classic sci-fi feature. (With Jim Carrey's rubberface, we would be consider that to be syfy.) The guy who was the blue alien may draw TPC out, but Peter Weller seems to have an ability to capture CatBusRuss's attention. Throw in some Clancy Brown, and he will be there. Needless to say, our host has the Shout! Factory's Steelbook of 1984's "The Adventures of Buckaroo Banzai Across the 8th Dimension", an underappreciated blueprint of how all comic book movies should operate.

With "Showdown in Little Tokyo" sharing the marquee at the Norris University Center at Northwestern University, Cool Movies Darth was obligated to attempt to make it through the 24-hour, B-movie marathon that is B-Fest. He spent all 24 hours in the McCormick Auditorium, but did he watch all the movies? Sometimes, there are things so bad, you just need to shut the brain off.

B-Fest 2023: Kaiju & Blobs & Roller Disco & Dafoe Leather & Uwe Boll CatBusRuss returns to Northwestern to challenge his cinematic endurance with the 40th Edition of AO B-Fest. “American Ninja” with a crowd sounded fun, but Willem Dafoe in the “Rock ‘n Roll Fable” “Streets of Fire” made it clear that this 24-hour marathon was a must attend. And surely “Xanadu’s” infamy was over blown…right?

Now featuring trailers for the expected closing feature of B-Fest 2024: Tammy and the T-Rex.

It was supposed to be as simple as press play in Audacity and get 20 or so minutes of us chatting about movies. The laptop was opened and the mic was out, so neither should have been caught by surprised, but I just started recording. And then...

ThePoeticCritic became more laser focused than I have seen her and gave me over an hour of material. Oh how the tables had turned.

The first weekend of February is usually the weekend of B-Fest, an annual 24-hour movie marathon of the finest B-movies that are available to the students and staff at Northwestern University in Evanston, IL. Being in Chicagoland, her friends from all over the country would fly in to take part in this extended:

audience-participation version of an episode of Mystery Science Theater 3000; viewers are encouraged to voice their opinions of onscreen events, especially if such comments provide entertainment for the other festival attendees. (B-Fest.com)

Andrew "CouchManBakes" Tiede makes his 2024 return to "Ninety For Chill", and once again, the feature that he wanted to chat about was just over 100 minutes long. The feature is the Robert Rodriguez directed (and Quentin Tarantino co-penned) "From Dusk Till Dawn". This of course means that to cover this feature, CouchMan and CatBusRuss must partake in a marathon.

For the most part, Rodriguez's movies have fairly tight runtimes, so our host should have had no difficulty coming up with a movie marathon dedicated to El Rey. Well, the Tex-Mex tinged James Bond tribute "Machete Kills" was just a couple of minutes too long. To assure that we still have a Danny Trejo triple feature before Midnight's main event, Russ chose to open the festivities with the Tarantino/Rodriguez produced, Robert Patrick-led, vampire-themed bank heist flick, "From Dusk Till Dawn 2: Texas Blood Money". To justify skipping "Machete", The Six Raven Movie House still programmed the original trailer with the first feature of 2007's "Grindhouse", "Planet Terror".

Andrew has yet to program a quadruple feature for his Sasquatch Cinema House, and the trend continues. Unlike the prior marathon (The Marathon: Child's Play, Wraiths, and Other THINGs), he skipped trying to find three sub 100-minute movies and just chose bangers from Rodriguez's filmography. These are the third "El Mariachi" tale, "Once Upon a Time in Mexico" and his collaboration with comic book legend Frank Miller, "Sin City".

On paper, this could be a contentious podcast. We have Amber Heard versus Johnny Depp after all. If Andrew's triple feature was not enough, his cinema has just become 420 friendly. Surely it is better to go to the Russ's theater that now features an arcade for the kids? Of course, the two cannot get too heated once their shared love for "Lucha Underground" is discussed.

As always noted on "Ninety For Chill: The Podcast with CatBusRuss", you maybe able to get a clue of what a future episode maybe about if you follow the host's Letterboxd. If that would take up too much time, then let this conversation with Andrew "CouchManBakes" Tiede about a classic vampire movie allow you to offer a prediction for February's first podcast.

Andrew Tiede and CatBusRuss investigate what maybe the spiritual sequel to "The Goonies", Joel Schumacher's "The Lost Boys". With this rewatch, our host was actually intrigued by ThePoeticCritic's opinion that this feature is nothing more than rose...should we say...blood-tinted nostalgia. Thankfully, this week's guest reminded CatBus the national treasure that is Timmy Cappello. These two eighties kids always have a ball watching this vampire feature, and throw in their parallel paths to their forties, we get some fun Cubs and wrestling themed tangents to accompany the blood sucking fun.

So "Ninety For Chill" is addressing the Chris Klein-led "Rollerball" remake. This obviously means the past couple of weeks have been a comedy of errors for CatBusRuss. These faults include: car issues, difficulty finding guests for the show and balancing them with his dating life, and enduring another "far right" kick.

Comedy is the key term in that paragraph. The "How Did This Get Made" movie podcast will be covering John McTiernan's "Rollerball" on Friday, January 26, 2024. To get the most out of this, our host is doing his homework.

To further be on the same page as the HDTGM crew, CatBus went into his vaults to review "Blitz". This British police procedural stars patron saint of Paul Scheer, Jason Mantzoukas, and June Diane Raphael's podcast, Jason Statham. In other words, Russ could not manage the time to see the latest Statham action flick, "The Beekeeper". Nothing seems to be working out for the overworked podcaster.

To further emphasize the difficulties Russ has been having, he did have another chat about the state of cinema with ThePoeticCritic. Too bad the mics were not set up ideally. But the audio can be heard with a bit of static, so it maybe worthwhile to stick through this week's featured reviews.

After two movies reviews and forty minutes of chatter, you also get to further participate in the burial of Chris Jericho. CatBus may need to get through the "Terrifier" franchise to be fair to The Ocho, but after "Albino Farm", he is left thinking that Y2J may not be able to provide any positive contributions outside of the ring.

Jessica Kwazz⁠ from the "⁠Second Chance Movies Podcast⁠" expresses her love for ⁠Mel Brook⁠'s "⁠Spaceballs⁠" while ⁠ThePoeticCritic⁠ returns with the history of how this feature became a classic. ThePoeticCritic and ⁠CatBusRuss⁠ discuss why "Star Wars" was nearly abandoned while Jessica tells of her admiration of cinema's GREATEST franchise.

Spaceballs stars Bill Pullman as Solo/Skywalker hybrid Lonestar, John Candy as Barf the Mog, Rick Moranis as what 2005's Hayden Christensen should have ended up as, Dark Helmet.

J.D. Grieving from the JDHD Series graces us with his presence to discuss "Stealing Harvard". For a 17 year-old J.D., this helped lay the groundwork for his own style of comedy. For a 22 year-old CatBusRuss, I needed something to further bury the memory of "Freddy Got Fingered".

Stealing Harvard (2002) was directed by "The Kids in the Hall" alumnus Bruce McCulluch and stars "Mallrat" Jason Lee, MTV star Tom Green, Judd Apatow muse Leslie Mann, and cop-turned-actor Dennis Farina.

For those who listened to the entirety of "3M Movie Marathon", CatBusRuss mentioned his attempt to record a podcast with Tim Loss about "MacGruber". It was part of Russ's efforts to watch and discuss the entire sub 100-minute filmography of Chris Jericho. What is disappointing about this recording not happening is that Tim really impressed our host with their conversation about Abbe Wool's "Roadside Prophets".

For the two to take on a "Saturday Night Live" comedy after an excellent motorcycle movie, it would have definitely been an interesting conversation. At least the Y2J glorification was avoided.

Talking about glorification, "Roadside Prophets" is a flick that deserves it. Fun cameos from hippie legends, an unhinged John Cusack, and the film is carried by Generation X (the age not the band) musicians, John Doe and Adam Horovitz, Prophets is the spiritual sequel to "Easy Rider". If you want a grunge vibe on the road trip genre instead of a counter culture tale of the open road, this film is for you.

Hopefully everyone has had a great start to 2024. With all the festivities, finding a guest was going to be next to impossible, so CatBusRuss got a week off to relax. Or did he?

These festive times means most people have little time, so our host had to make up for this with an action movie binge. This will be the closest to an Illinois Central College hosted B-Fest. that we think you can find. Russ wanted to clear out some of the cheap and/or hard to find DVDs from his queue. From his past two February trips up to Evanston, he thinks he has come up with a quadruple feature that would make the Northwestern programmers proud.

Not all of the flicks discussed will make the cut. If you want to learn more about Chris Jericho, stick around to the end for an "Android Apocalypse" review. In an attempt to get you ready for the CG chaos of "Black Mask 2: City of Masks", our host did revisit the 1996(9) Jet Li feature, "Black Mask".

The final line up of four fun-filled films is Ivan Drago vs Kano (95) in the mercenary tale, "Men of War", the mutant-pro-wrestling allegory, "Black Mask 2", Brian Bosworth vs. Lance Henriksen in biker porn, "Stone Cold", and the choose your own adventure, DC Animated Feature "Batman: Death in the Family". Imagine how that can turn an audience on each other.

All of the features can be found streaming (provided you want to spend $12.99 for BM2). The only way right now to watch "Stone Cold" is currently on Pluto TV via "Rifftrax". Here's hoping Bill, Kevin, and Mike's transfer is as good as my blu-ray.

Ninety For Chill is closing out 2023 with some cinematic banter from ThePoeticCritic. CatBusRuss and his big sister discuss how the movie landscape has changed, be it offerings for the multiplexes or streaming services. Their primary concern: Where are the movies?

Our host is more concerned about where to stream them. With the top electronic retailer deciding to stop selling physical media, CatBus is out to grab the remaining worthwhile steelbooks. Too bad Universal/Comcast is willing to license their features to other streamers. Peacock should be enough to watch "The Super Mario Bros. Movie". He is not going to subscribe to Netflix.

Thank Viacom for keeping "Teenage Mutant Ninja Turtles: Mutant Mayhem" on Paramount+. But what will happen in Paramount and WBD merge?

ThePoeticCritic is more concerned about the movie-going experience. She explains how there just does not seem to be anything to draw people in most weekends. "Wonka" was her grand exception to the rule, but Disney and DC movies are not bringing in the money that they use to. Taylor Swift shows that people want events to attend. Where are those grand narratives that should take screens away from the Swifties?

Despite the drama, we want to end the podcast on a positive note. At least Russ did. So he discusses his most recent binge to make sure he has all angles covered when determining the top discovery this year. The annual obligatory David Cronenberg feature is his adaptation of the play based on the book about the relationship between Carl Jung and Sigmund Freud, "A Dangerous Method". Was it too grounded to take the top discovery spot from "X" or "Marcel the Shell with Shoes On"?

If only a Cronenberg would direct an "Evil Dead" movie. "Evil Dead Rise" was excellent, but was it anything more than a reskin on "Evil Dead (2013)"?

And to honor past guest of the show Jonathan "A Film to Fight For" Romeo, CatBus watched "Saint Maud" as per the suggestion from "Possessive Forces vs. #Cinemastodon's Exorcists". Stick around after the chat with TPC to hear our host's critique of this high-concept, A24 horror.

To conclude this year's edition of "AllysAccessoriesShop on Etsy's Trash Feature Revue", CatBusRuss does his best to pit two actresses against each other. The girl of his offbeat film preadolescence, Winona Ryder, and the woman of his low-brow cinema adulthood, Milla Jovovich. How did "The Fifth Element's" Leeloo defeat "Beetlejuice's" Lydia Deetz? How convoluted is this episode going to be?

To add some cohesion to the closure of the Trash Feature Revue, our host decided to find a connection between Milla's and Winona's filmographies. The answer, Ben Stiller's "Zoolander". Jovovich is fifth billed and Ryder only has a cameo, but is more prevalent in the trailer. We can call that a tie, so whose film representing Y and # was better: The rom-com where Milla tries carrying David Krumholtz to stardom, "You Stupid Man"; Or the hippie movie led by a Kiefer Sutherland and Robert Downey Jr. ensemble, "1969"?

This could be messy because the Milla flick was introduced to Russ from the ex who was prior to Ally. Does this podcast compare his most recent relationships? Give it a listen and be as judgmental as you like.

Have American movie goers forgotten the legacy of John Woo? Why have producers thought that Joel Kinnaman is a movie star? Can action movies be experimental? Is "Die Hard" the only badass Christmas movie?

Audiences seemed like they were not ready to ask these questions. Fearing that the feature may not get a chance to become a new holiday classic, CatBusRuss went and checked out "Silent Night" after its opening weekend. It is Woo's cinematic return to Western cinema after 20 years and a feature that takes its title literally. Can a movie only have a soundtrack of gun shots, detonations, and tires squealing? How do you offer up one liners?

With that being ThePoeticCritic's suggestion for a podcast topic, CatBusRuss thinks it was wise to open the show with a conversation about her trip to the most recent edition of Chicago TARDIS. It is the "Doctor Who" convention that fills the void left by Rosemont's "Visions" comic con that ended 25 years ago.

After reminiscing about how great viewing rooms were at conventions, the two embark on providing a brief history of The Disney Channel and Nickelodeon before they spent money on programming. For Nick, they filled the time with package features on Sundays. For the House of Mouse, the time was more than likely filled with imported children features like "Dot and the Kangaroo". But if you wanted real trauma, turn to pre-prime time HBO offering of a French nature drama, "The Bear".

White washing the Australian Bush or wondering where the hell the American Humane Association was when there were live animals dealing with fates equal to those of Nicolas Cage in "The Wickerman", Russ left this binge with some reopened scars he never knew he had from childhood.

The Thanksgiving season may have become the best weekend to catch a horror feature. Last year, CatBusRuss was blown away by "The Menu". It was released the weekend before the most popular celebration of colonialism. This past weekend, another product of Quentin Tarantino and Robert Rodriguez's "Grindhouse" became a reality with Eli Roth's "Thanksgiving". Perhaps it is just the association with food that makes flicks released on this weekend work out so well...done.

Of course, fans of that homage to exploitative cinema noticed that Roth's latest feature does not have the feel of worn film, grainy audio, and poor color saturation. The likes of The Cinema Snob found the "fake" trailer for this yet to be realized holiday slasher movie to be the best one thrown in between the double-feature. Could this premise be as much fun while being nice and polished...and without Michael Biehn?

In the event that was the case, CatBusRuss decided to find some gold in "Ally's Accessories Shop on Etsy's Trash Feature Revue". Instead of watching a sappy Matthew Broderick feature, he chose to replace it with the 1989 anime, "Wrath of the Ninja". Ally never provided the letter X with a film, so our host decided to fill it in with what maybe the best A24 horror movie he has seen, Ti West's "X". Ninjas and Chekov's Alligator: If Roth misses, this podcast will still find a way to hit.

After a very successful Spooky Month that carried into Veterans Day, CatBusRuss felt it would be best to return to just reviewing movies this week. It was an opportunity to catch up on Ally's Accessories Shop of Etsy's Trash Feature Revue.

As it turns out, we are in the home stretch when it comes to covering all of the DVD's Russ's ex-girlfriend bought him to ensure the podcast would have content for at least three years. Back when she would visit Skimble "The One Eared Angel" weekly, three discs per letter of the alphabet were provided to our host. This podcast is in its third year, so we are about out of the "gems" that she provided.

Her efforts to represent each letter of the alphabet left some of the characters in better positions. In other words, we are out of T, U, and V (the last review was for "Swingers"). But, September and October's need for horror left CatBus jumping from the letter L ("The Lion, the Witch, and the Wardrobe" [1979]) to the Letter P ("Puppet Master II"). So, to fill in for the missing letters, "Ninety For Chill: The #Podcast with CatBusRuss" returns to M, N, and O.

Russ hopes that you will find at least two of these films to be charming. "The Night Listener" has strong Toni Collette and Robin Williams performances. "The Oranges" has a superb ensemble trying to carry a taboo May/November relationship tale. And some of you may have been charmed by Vince Vaughn in 2001's "Made". CatBus knows this because since he had friends who thought they should act like one of the characters that Jon Favreau wrote for Vaughn. This unacceptable behavior helped to hasten his move from Peoria to Downstate's Liberal Hotbed.

It took longer than expected, but perhaps it is for the best since Veteran's Day is coming up. Sam Marsh is a fan of spectacle, so he returns to the podcast to discuss Christopher Nolan's war epic from 2017, "Dunkirk". CatBusRuss is not as high on the auteur as most seem to be, but since this feature is one that Quentin Tarantino deemed to be a rewatchable, our host had to give it a chance. Fortunately, this is not "The Night of a Thousand Cats", the inspiration for the Til Schweiger character's name from "Inglourious Basterds".

Being a fan of movies that have runtimes which tend to restrict spectacle, Russ has kind of found Christopher Nolan's recent attitude to be pretentious. With his protest over "Tenet" being released on streaming, our host thought that the idea of something being too cinematic was insulting to audiences' intelligence. If your narrative is strong enough, spectacle is secondary. Of course, that is the opinion of someone who aspires to be a screenwriter of small scale comedies. It has been suggested that direction is a skill that intimidates him.

Sam seems to carry far less cynicism than our host. Russ enjoyed "Dunkirk", but we know he is far more likely to knit pick this feature. His guest does a great job of just telling him to appreciate the experience despite what he deemed as a lack of plot. This is why the best episodes of this podcast has someone to keep our host on track and off of tangents.

But we all think that the American education system needs to place more of an emphasis and funding on the arts...right?

Andrew "Couchman Bakes" Tiede returns to the podcast to discuss a third feature about THE actor of every kid who was babysat by a VHS tape deck, Kurt Russell. The challenge being, Kurt's movies tend to be too long to be discussed on this show. But never to disappoint the audience, CatBusRuss will allow "John Carpenter's The Thing" to be the primary topic. All the Couchman needs to do is come up with a horror movie marathon.

These "quadruple" features are based on two themes that can be taken from what maybe Carpenter's most influential feature: Who can you trust? What is the killer?

CatBus's Six-Raven Cinema House offers up 1956's "Invasion of the Body Snatchers" and 2011's prequel to 1982's classic to address the first theme. As for the second, he revisited the so rad its good flick, "The Wraith" starring Charlie Sheen.

At Andrew's Sasquatch Cinema House, the "Who" is addressed with a nerdier Elijah Woods versus aliens in "The Faculty". As for the what, how about the origins of Charles Lee Ray's after death adventures with 1988's "Child's Play"

There is obviously a film missing from the Tiede showcase. Can he make up for it with the theater's new massaging chairs? Russ thinks that maybe too distracting. Perhaps you need to be the judge.

It would not be #SpookyMonth for "Ninety For Chill: The #Podcast" if ThePoeticCritic did not make her annual villainy felt. She has never been big for slasher movies, so it is Kaiju season. CatBusRuss explores her opinions on the late '70s "Godzilla" movies and admits to light Letterboxd stalking. He just needed to know why she watched "Billy the Kid Versus Dracula". If only Ed Wood could have kept Bela Lugosi clean...

As always when it comes to the CatBus's big sister, the conversation does devolve into a discussion about the current state of cinema. The two butt heads about "Wonka" and "Wish" again. How can she not respect the mere suggestion of an orange Hugh Grant and Alan Tudyk's hooved potential means box office success?

Before all of that, Russ attempts to get the annual trip through Ally's Accessories Shop on Etsy's Trash Feature Revue back on track with Danny Trejo versus an electrified ghost. "Reaper" also features Jake Busey and English treasure Vinnie Jones. It is a bad movie gamble our host cannot resist.

CatBusRuss may be too old to be hip. He does not get the allure of Creepy Pasta. For our host, these ideas seem to be lazy attempts for older millennials to appear creative. They are just odd/disturbing images without any lore, a product of the ADHD era. To make up for the lack of depth, fans of the concept make themselves believe in it to hope to will these monsters into the zeitgeist. These efforts may have been better spent appreciating the tales of Stoker, Shelley, Wells, Lovecraft...

But, these efforts may bare fruit. There is now a generation born into a world that has always had the Internet. Attention spans be damned. Generation Z can open up Chrome and find these creatures and phenomenon and declare them as the demons of their time. "We're All Going to the World's Fair" is a film that explores the effects that creepy pasta may have on the most impressionable among us, teenagers. Even the most cynical (CatBus) cannot deny this is an intriguing concept.

Austin of "Take 'Em To The Movies, Austin!" brought this feature to Russ's attention. Jane Schoenbrun's film seems to really have connected with this week's guest who does his best to sell the movie to the jaded host. The two debate whether it is a deeply flawed feature, or the groundwork of the next great A24 career.

In the case of the prior, CatBusRuss took the time to see what fun Shudder had to offer (and find a feature starting with "Q" for "Ally's Accessories Shop on Etsy's Trash Feature Revue". The Shudder Exclusive "Quicksand" appeared to have the potential for chaotic fun.

If Russ failed to deliver a great flick, maybe it is best to refer to Austin's opinion(s). https://takeemtothemoviesaustin.substack.com/
https://mastodon.world/@auzzy

Thanks to Jonathan Romeo, #SpookyMonth for "Ninety For Chill: The #Podcast" is officially in full swing. He suggested that if you want to talk about a feature that instills fear into the hearts of all, regardless of faith, "The Exorcist" is the film to chat about. This is a flick that CatBusRuss needed to see, but at 2 hours 2 minutes, how can this podcast be the place to discuss it? Fortunately both Jonathan and Russ are patient cinema fanatics, so devising marathons to build up to a main event is a task they are both up for.

At the previously established Six-Raven Movie House, Russ offers up three films with different means of exploring possession. His triple-feature opens with John Carpenter's tale of space Jesus vs. gooey devil "Prince of Darkness". The second bout of the card is Ash Williams vs. The Necronomicon with Sam Raimi's "Evil Dead 2". And for a co-main event, our host serves up a Cronenbergian feature, from the son Brandon Cronenberg with 2020's "Possessor". Is there anything more chilling than letting an assassin claim you body and determine it expendable? Enjoy the snacks and popcorn while figuring this out.

As for what is showing at Jonathan's Palladium, he gets straight to the Italian-sourced gore with Lamberto Bava's "Demons". This is followed up by tackling the faith he was raised on with Rose Glass's "Saint Maud". And his 10 o'clock show is a Ninety For Chill favorite, Paul W.S. Anderson's "Event Horizon". With a grill and fully stocked bar at his cinema, you should be ready to handle anything "A Mind on Fire" throws at you.

Over the past year, there have been a few movies that CatBusRuss has recorded his thoughts about, but did not have the right episode to place them on. With films that peak his interests starting to roll out, will there be a place for these forgotten segments?

"Saw X" was a film that our host would not miss opening weekend for, but from speaking to potential guests for the show, he might be one of the few that are excited for this sequel. So a little variety in gory features might be needed to make this episode interesting for everyone. This week, the man who flunked logic, calculus, and data structures in the same semester decides to take a swing at cinema math.

"Hellraiser III: Hell on Earth" and "The Expendables 2" were two flicks he skipped publishing the prior week. They were meant for that weeks "Expend4bles" podcast. Russ's plan was to find a fifth entry to a franchise to round out that episode, but he just now got his hands on a copy of "Hellraiser: Inferno". So, to get to the number 10 this week, the sum of the sequels mentioned get multiplied by a part of Ally's Accessories Shop on Etsy's Trash Feature Revue, "Puppet Master II".

X=(III+II)II or 10=(3+2)2. At least he did not try to tie these movies to "The Number 23".

⁠"Ninety For Chill: The #Podcast with @CatBusRuss"⁠ offers the world the ultimate questionable quadruple feature. If it was between 70 and 100 minutes in length and directed by ⁠Ken Russell⁠ during the '80s, it is here. ⁠CatBusRuss⁠'s weekend binge features the body horror classic "⁠Altered States⁠", Russell's reimaginings of 19th century British literature in "⁠Gothic⁠" and "⁠Salome's Last Dance⁠", and ⁠Hugh Grant⁠ and ⁠Peter Capaldi⁠ battle with a snake vampiress in "⁠The Lair of the White Worm⁠".

Weird things happen when our host gets ghosted. Aside from watching Ken Russell's "Altered States" to clear up his Netflix DVD queue before the service ends, CatBusRuss did not have much of a plan for what this week's episode would be about. Presuming that he would have a date on his day off, the best he thought he could do was watch "Lisztomania" to provide the audience with the entire range of craziness the director of "Tommy" had to offer.

And then, no response from the lass he had been chatting up through her bout with Covid. Add into the equation that the phallic ode to an early 20th century German composer was not streaming anywhere for free. Russ's response to these difficulties, lets watch all of the '80s Russell that meet the criteria of the podcast.

With the Labor Day holiday, CatBusRuss decided not to hassle anyone about recording a podcast with him. But because he went it alone last week, our host decided that classic conversations was what this week needed. When it comes to classic conversations on this podcast, you can usually count on ThePoeticCritic to come through.

Until B-Fest 2024, this episode effectively completes the preservation of the back catalog from the original Podbean for "Ninety For Chill". ThePoeticCritic helped her little brother out a lot with the first year of the show. Was it being nice, or was it to have a platform about why #FilmTwitter is the pits and how we need to listen to Martin Scorsese and prevent Hollywood's overlords from trapping Wes Anderson into fueling their IP machines. For two weeks in the summer of 2021, this was her platform.

CatBusRuss is doing his best to overcome exhaustion. Fan Expo Chicago calls for exploration means there was no time for relaxation. Our host has worked himself sick, so he felt lucky to get in three movies since returning from Rosemont. And after starting the week with his Netflix DVD rental, "Another Earth", getting up the energy to watch 1979's "The Lion, the Witch, & the Wardrobe" and 2022's "Thor: Love and Thunder" should be considered an accomplishment.

These three movies are all worthwhile. "Another Earth" is science fiction that challenges the genre's demand for visual effects. The adaptation of the first "Chronicle of Narnia" is an interesting attempt to sneak Christianity into schools. And while avoiding films in the franchise that are based around a new characters, Russ has enjoyed diving into Phase 4 of the MCU.

But all of these features present challenges to enjoy them. There is a very dour premise with the indie film. The cartoon features questionable character designs that make you wonder why they did not stick to their "Charlie Brown" style. And you can see why there are three credited editors on the Marvel movie. It is definitely going to be a one flick movie this week for the CatBus. His strength must be regained.

CatBusRuss has made it back to Champaign/Urbana from taking his big sister, ThePoeticCritic, up to Chicago Fan Expo 2023. There was plenty of fun to be had, but there is a lot of stress that comes with planning to have the maximum amount of enjoyment.

The Fan Expo takeover of Wizard World (formerly Chicago Comic Con) has led to more blatant efforts to take every possible penny from the convention goers. And taking money from Netflix, WBDiscovery, NBCUniversal, and Disney while cracking down on what actors could and could not say was almost too much hypocrisy for our host to endure.

He felt that the standard panels that were for fans by fans were lacking, and the cool vendors seemed to stay away from the event. Fortunately, Russ had autographs to track down to make up for this time, but the con is becoming less and less intimate. The time was filled and (too) many cool things were bought, but the 2024 reducing itself to three days from four may be a blessing.

The CatBus had been dropping daily bonus episodes on ninetyforchill.com when it came to the first three days of the convention. This episode is a review of Fan Expo overall, followed by those three bonus podcasts.